Showing posts with label Avant-Garde. Show all posts
Showing posts with label Avant-Garde. Show all posts

Tuesday, September 29, 2009

RIO/Zeuhl mix.


A mix of some of my favourite RIO and Zeuhl bands ranging from some of the less popular groups to deep-cuts from some of the more known bands.

1. Dundrets fröjder - Samla Mammas Manna
2. L'epice - Dün
3. Recurrencias - Akinetón Retard
4. Overdrive Locomotive - Happy Family
5. Falling Away - Henry Cow
6. Five Suns pt. IV - Guapo
7. Le Poison Qui Rend Fou, Part 1: Ram Ram Va Faire "Pif Paf" - Present
8. Octopus Command - Bondage Fruit
9. Gassttrumm - Koenjihyakkei
10. Cuic steppe - Asak Maboul
11. Sehnnteht Dros Wurdah Soms - Magma
12. Memories Of Zworrisdeh - Ruins
13. Etron Fou Leloublan - Nicole

Tuesday, August 25, 2009

Gorguts compliation.

"Gorguts brought the initial phases of death metal toward a greater realization of melodic structuring before it was conventional to do so renovate the genre again with the innovation of a new form of chaotic yet lucid composition.

Gorguts is avant-garde/technical metal band from Quebec, a city that brought us other death metal ledgends Cryptopsy and progressive thrashers Voivod. Although Gorguts started out as old school death metal act they would later, tired of the cliche and cookie cutter death metal acts at the time evolve into a highly technical, highly avant-garde and dissonant technincal metal with a completly unique style that fused the death/jazz fusion of Atheist and Cynic with Suffocation and Cryptopsy with free jazz and composers like Penderecki.

In 1998 Gorguts released their magnum opus,
Obscura.
A metal album like no other. Labeled as the Trout Mask Relipca of death metal due to its "High speed counterpoint baffling chord structures buttressed by recursion, tonal centering through droning cyclic melted sound emergence, ragged fugues of dissonant melodies converging toward oblivion, tempos shifting through the elements of one another into each other, cyclic two-hit metal percussive structures and free-form progressive harmonic jamming are packed into these songs as overhead to the essence of each, which no matter how aesthetically different it appears at first listen reveals itself as fundamental Gorguts when the emergent melody encoded within begins to find form in the various aspects of its decomposition showcased by differentiation structures creating a vast tonal motion in their evolutionary journey from the point of chaos to clarity. The same voice that crafted the strength within the sturdy structures of death metal on two previous albums speaks through the chaos on this release with a newfound power in its ability to fuse what to most will seem like a salad of riffs juxtaposed for their difference rather than similarity."

In 2001 Gorguts released
From Widsom To Hate. Still avant-garde but more "straight-forward" than Obscura it earned Gorguts more fans with your average death-metaller but was undoubtedly a step down from Obscura. This compilation contains some of my favourite Gorguts tracks. I recommend the Obscura tracks and "Inverted"listen if you dare, at first you will undoubtedly be left thinking "what the hell!?" but if you stick with it you'll reap the benefits .

  1. Inverted (From Wisdom To Hate)
  2. Condemned (Considered Dead)
  3. Stiff & Cold (Considered Dead)
  4. Behave Through Mythos (From Wisdom To Hate)
  5. Disincarnated (Considered Dead)
  6. Dormant Misery (The Erosion Of Sanity)
  7. Testimonial Ruins (From Wisdom To Hate)
  8. Inoculated Life (Considered Dead)
  9. Faceless Ones (Obscura)
  10. Lie Vie Est Prelude (Obscura)
  11. Nostalgia (Obscura)
  12. Obscura (Obscura)
  13. The Art Of Sombre Ecstasty (Obscura)
  14. The Carnal State (Obscura)
http://www.mediafire.com/?mr5yrtnj2mm

Thursday, October 16, 2008

Andrew WK


http://forums.hipinion.com/viewtopic.php?t=205121

http://www.youtube.com/user/Andrewwkofficial

http://www.heresee.com/ninetteen.htm

http://www.andrewwk.com/forums/viewtopic.php?t=814

tracklisting:

01 - i came for you
02 - close calls with bal harbour
03 - never let down
04 - ready to die
05 - totally stupid
06 - soundtrack to poltergeist
07 - got to do it
08 - when i'm high
09 - i get wet
10 - i love music
11 - this is my world
12 - the moving room

download via mediafire.com

Sunday, October 12, 2008

Plunderphonia

Plunderphonics is a term coined by composer John Oswald in 1985 in an essay entitled Plunderphonics, or Audio Piracy as a Compositional Prerogative. It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition. There is no attempt to disguise the fact that the sounds making up the composition have been "borrowed" in this way, and sometimes the sounds may be taken from very familiar sources. Plunderphonics can be considered a form of sound collage.

EDIT: I've corrected the errors in the original download file, and for your troubles, added FOUR bonus tracks, including John Oswald! Praise BOB!

1. The Evolution Control Committee - By The Time I get to Arizona
2. Negativland - U2
3. DJ Pantshead - Don't believe the Sensorair
4. DJ Pantshead - Machines Dehumanize
5. The Evolution Control Committee - Boards of Canadadidadi
6. Anonymous Opus and Green Day mash up - It's a fine Holiday
7. norelpref - PMS 911
8. The Arm - Track 11
9. John Oswald - DAB
10. Phineas Narco and Ronald Redball - Free Will
11. Doom Patrol - Year of the Rabbit
12. Tim Maloney - Thunderclock

FYI, every one of these songs is available for free, somewhere online. You just have to find it.

Download Here

Afterstasis' Noise Mix #1


HSQGWERTUIFSZZZHGLHJSBOOOHMCNWOOOPUYT!!!!!!

tracklisting:

01 masonna - anne (parts 1 and 2)
02 aube - aqua syndrome I
03 forcefield - 3rd annual roggabogga motion picture soundtrack
04 masayuki takayanagi - inanimate nature 3
05 john wiese - untitled track 4
06 amm - what is there in uselessness
07 prurient - vertigo
08 sternklang - untitled
09 christopher tree - untitled
10 voice crack - untitled

download via mediafire.com

Saturday, September 13, 2008

Afterstasis' Drone Mix #1


tracklisting:

01 alio die - looking towards
02 jonathan coleclough - periodic
03 organum - shining star
04 terry riley - in c
05 surface of eceon - deep grey night
06 kaffe matthews - bea 22
07 mirror - nightwalkers, side b
08 thuja - untitled
09 devillock - death siren, side b
10 ginnungagap - black snow, blood mountain

download part 1 via mediafire.com

download part 2 via mediafire.com

Friday, September 5, 2008

I Hate Myself & John Luther Adams


tracklisting:

01 i hate myself - less than nothing
02 i hate myself - polar bear summer
03 i hate myself - ...and keep reaching for those stars
04 i hate myself - caught in the flood
05 i hate myself - to a husband at war

01 john luther adams - beginning
02 john luther adams - red arc blue veil
03 john luther adams - l
04 john luther adams - velocities crossing in phase-space
05 john luther adams - the farthest place

I Hate Myself were an emo band from Gainesville, Florida...
In the mid-90's we had I Hate Myself rising out of a scene that relied on cryptic lyrics and fragmentary liner notes, eagerly proclaiming their worthless lives, their desires to be accepted and loved, their utter hopelessness. It was a bit odd. Yet, while there are traces of humor in the bands work, the majority of it seems to be delivered entirely without irony. People can't seem to arrive on a consensus in regard to the band's honesty. Some people can't see a line as goofy as "an empty forty--fuller than my life" as being entirely honest, but the same people oftentimes can't see a line like "I'm trying to explain something, but you're not listening--like I can't speak" as being a joke, especially when delivered with the onslaught of distorted, descending guitars that back it.

John Luther Adams (born January 23, 1953 in Meridian, Mississippi) is a composer whose music is inspired by nature, especially the landscapes of Alaska where he has lived since 1978.
Adams's musical work spans many genres and media. He has composed for television, film, children's theater, voice, acoustic instruments, orchestra, and electronics.
His frequent use of static textures and subtle changes show his obvious affinities with minimalism, and his tendencies toward extended, meditative, and intuitive structures convey his true love of the music of Morton Feldman.

download via mediafire.com